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The typical three- movement structure, a slow movement e. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos.

A few decades later, Venetian composers, such as Antonio Vivaldi , had written hundreds of violin concertos , while also producing solo concertos for other instruments such as a cello or a woodwind instrument , and concerti grossi for a group of soloists. The first keyboard concertos , such as George Frideric Handel ‘s organ concertos and Johann Sebastian Bach ‘s harpsichord concertos were written around the same time.

In the second half of the 18th century, the piano became the most used keyboard instrument , and composers of the Classical Era such as Joseph Haydn , Wolfgang Amadeus Mozart and Ludwig van Beethoven each wrote several piano concertos , and, to a lesser extent, violin concertos, and concertos for other instruments.

During the 20th century concertos appeared by major composers for orchestral instruments which had been neglected in the 19th century such as the Clarinet , Viola and French Horn. An interesting feature of this period is the proliferation of concerti for less usual instruments, including orchestral ones such as the Double Bass by composers like Eduard Tubin or Peter Maxwell Davies and Cor Anglais like those by MacMillan and Aaron Jay Kernis , but also folk instruments such as Tubin’s concerto for Balalaika or the concertos for Harmonica by Villa-Lobos and Malcolm Arnold , and even Deep Purple ‘s Concerto for Group and Orchestra , a concerto for a rock band.

Concertos from previous ages have remained a conspicuous part of the repertoire for concert performances and recordings. Less common has been the previously common practice of the composition of concertos by a performer to performed personally, though the practice has continued via international competitions for instrumentalists such as the Van Cliburn Piano Competition and the Queen Elisabeth Competition , both requiring performances of concertos by the competitors.

The Italian word concerto , meaning accord or gathering, derives from the Latin verb concertare , which indicates a competition or battle. Compositions were for the first time indicated as concertos in the title of a music print when the Concerti by Andrea and Giovanni Gabrieli [ scores ] were published in In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J.

Bach ‘s usage of the title “concerto” for many of the works that we know as cantatas. The concerto began to take its modern shape in the late- Baroque period, beginning with the concerto grosso form developed by Arcangelo Corelli. Corelli’s concertino group was two violins, a cello and harpsichord.

Bach’s Fifth Brandenburg Concerto , for example, the concertino is a flute, a violin, and a harpsichord; although the harpsichord is a featured solo instrument, it also sometimes plays with the ripieno , functioning as a continuo keyboard accompaniment. Later, the concerto approached its modern form, in which the concertino usually reduces to a single solo instrument playing with or against an orchestra. The main composers of concertos of the baroque were Tommaso Albinoni , Antonio Vivaldi e.

The concerto was intended as a composition typical of the Italian style of the time, and all the composers were studying how to compose in the Italian fashion all’Italiana.

The Baroque concerto was mainly for a string instrument violin , viola , cello , seldom viola d’amore or harp or a wind instrument flute , recorder , oboe , bassoon , horn , or trumpet ,.

Bach also wrote a concerto for two violins and orchestra. The concertos of the sons of Johann Sebastian Bach , such as C. Bach , are perhaps the best links between those of the Baroque period and those of the Classical era. It is conventional to state that the first movements of concertos from the Classical period onwards follow the structure of sonata form.

Final movements are often in rondo form, as in J. Bach’s E Major Violin Concerto. Mozart wrote five violin concertos, all in Several passages have leanings towards folk music , as manifested in Austrian serenades.

Mozart also wrote the Sinfonia Concertante for violin, viola, and orchestra. Beethoven wrote only one violin concerto that remained obscure until revealed as a masterpiece in a performance by violin virtuoso Joseph Joachim on 27 May Bach’s keyboard concertos contain some virtuosic solo writing. Some of them have movements that run into one another without a break, and there are frequent cross-movement thematic references. Then he arranged three sonata movements by Johann Christian Bach.

By the time he was twenty, Mozart was able to write concerto ritornelli that gave the orchestra admirable opportunity for asserting its character in an exposition with some five or six sharply contrasted themes, before the soloist enters to elaborate on the material. Of his 27 piano concertos , the last 22 are highly appreciated.

Bach wrote five flute concertos and two oboe concertos. Mozart wrote five horn concertos, with two for flute, oboe later rearranged for flute and known as Flute Concerto No. Haydn wrote an important trumpet concerto and a Sinfonia Concertante for violin, cello, oboe and bassoon as well as two horn concertos. In the 19th century, the concerto as a vehicle for virtuosic display flourished, and concertos became increasingly complex and ambitious works.

Whilst performances of typical concertos in the baroque era lasted about ten minutes, those by Beethoven could last half an hour or longer. The term concertino composition , or the German Konzertstuck “Concert Piece” began to be used to designate smaller pieces not considered large enough to be considered a full concerto, though the distinction has never been formalised and many Concertinos are still longer than the original Baroque concertos.

During the Romantic era the cello became increasingly used as a concerto instrument; though the violin and piano remained the most frequently used. Beethoven contributed to the repertoire of concertos for more than one soloist with a Triple Concerto for piano, violin, cello and orchestra while later in the century, Brahms wrote a Double Concerto for violin, cello and orchestra. Many of the concertos written in the early 20th century belong more to the late Romantic school, hence modernistic movement.

Masterpieces were written by Edward Elgar a violin concerto and a cello concerto , Sergei Rachmaninoff and Nikolai Medtner four and three piano concertos, respectively , Jean Sibelius a violin concerto , Frederick Delius a violin concerto, a cello concerto , a piano concerto and a double concerto for violin and cello , Karol Szymanowski two violin concertos and a “Symphonie Concertante” for piano , and Richard Strauss two horn concertos, a violin concerto, Don Quixote —a tone poem that features the cello as a soloist—and among later works, an oboe concerto.

Some of these innovations include a more frequent use of modality , the exploration of non-western scales , the development of atonality and neotonality , the wider acceptance of dissonances , the invention of the twelve-tone technique of composition and the use of polyrhythms and complex time signatures. These changes also affected the concerto as a musical form.

Beside more or less radical effects on musical language, they led to a redefinition of the concept of virtuosity that included new and extended instrumental techniques and a focus on previously neglected aspects of sound such as pitch , timbre and dynamics. In some cases, they also brought about a new approach to the role of soloists and their relation to the orchestra. Two great innovators of early 20th-century music, Schoenberg and Stravinsky , both wrote violin concertos.

The material in Schoenberg’s concerto, like that in Berg’s , is linked by the twelve-tone serial method. In the 20th century, particularly after the Second World War, the cello enjoyed an unprecedented popularity. As a result, its concertante repertoire caught up with those of the piano and the violin both in terms of quantity and quality. Among the works of the prolific composer Alan Hovhaness may be noted Prayer of St.

Gregory for trumpet and strings, though it is not a concerto in the usual sense of the term. In the later 20th century the concerto tradition was continued by composers such as Maxwell Davies , whose series of Strathclyde Concertos exploit some of the instruments less familiar as soloists. Early Romantic traits can be found in the violin concertos of Viotti , but it is Spohr ‘s twelve violin concertos, written between and , that truly embrace the Romantic spirit with their melodic as well as their dramatic qualities.

In the Baroque era, two violins and one cello formed the standard concertino of a concerto grosso. In the classical era, the sinfonia concertante replaced the concerto grosso genre, although concertos for two or three soloists were still composed too. From the Romantic era works for multiple instrumental soloists and orchestra were again commonly called concerto.

In the 20th and 21st centuries, several composers wrote concertos for orchestra. Some examples include those written by:. From Wikipedia, the free encyclopedia. Musical composition usually in three parts. For other uses, see Concerto disambiguation.

See also: Concerto Bach. See also: Sacred concerto. See also: Ripieno concerto and List of concertos by Christoph Graupner. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. This section does not cite any sources. Please help improve this section by adding citations to reliable sources.

April Learn how and when to remove this template message. See also: Chorale concerto and Hymn concertato. See also: Concerto for solo piano. Main article: Solo concerto. Main article: Violin concerto. Main article: Viola concerto. Main article: Cello concerto. Main article: Double bass concerto. Main article: Flute concerto. Main article: Oboe concerto.

See also: List of concertos for English horn. Main article: Bassoon concerto. Main article: Clarinet concerto. See also: List of concert works for saxophone. Main article: Trumpet concerto.

Williams Zimmermann [38]. Main article: Trombone concerto. Main article: Keyboard concerto. Main article: Harpsichord concerto. Main article: Organ concerto. Main article: Piano concerto. Main article: Accordion concerto. Main article: Percussion concerto. See also: Harmonica concerto. Main article: double concerto. Main article: triple concerto.